Projects

Observe the Apprehension

Observe the Apprehension
October 25, 2010 - 3:00pm - 8:00pm
Basekamp, Philadelphia

You are invited to participate in a one-day performance by Per Hüttner and Fatos Ustek.

Date
3 - 8 pm on Monday, October 25th, 2010

Location
Basekamp space
723 Chestnut Street, 2nd floor
Philadelphia, Pennsylvania 19106

Following their ongoing investigation into the boundaries of artist, curator, critic and their audience, Hüttner and Ustek will invite the audience to be involved in a new performance. Read more »

Playing Making Recording: NEIGHBOR

Playing Making Recording:  NEIGHBOR
October 23, 2010 - 9:00am - October 24, 2010 - 7:30pm
Basekamp, Philadelphia

Playing Making Recording is an ongoing class offered through The Public School, Philadelphia and exists as a series of concentrated music making and recording experiments. Each open door session invites a revolving group of partcipants to come play, compose and record a series of songs during the weekend long intensive. Musicians of all kinds and levels of proficiency were invited to attend and contribute.
 
Read more »

Plausible Artworlds

Plausible Artworlds
January 5, 2010 (All day) - December 28, 2010 (All day)
Basekamp, Philadelphia

2010 Schedule

Week 52 – Dec 28: Public Collectors & Against Competition
Week 51 – Dec 21: IRWIN
Week 50 – Dec 14: Mildred’s Lane
Week 49 TUESDAY – Dec 7: Abriendo Caminos / La Comunitaria TV Read more »

Genesis Project + Basekamp

Genesis Project + Basekamp
August 7, 2009 - 6:00pm - 8:00pm
Basekamp, Philadelphia

Opening event
Friday, August 7th, 2009
6 - 8 PM
Talk by Douglas Repetto
(Dorkbot NYC, Columbia University)
http://music.columbia.edu/~douglas/portfolio/index.shtml

Event II
Friday, August 28th, 2009
5 - 9 PM
Showing of resident artists’ process and practice

Event info

Free admission
Meet the artists-in-residence, and other Basekampers!

Location
Basekamp space
723 Chestnut Street, 2nd floor
Philadelphia, Pennsylvania 19106

Genesis Project residency artists: Read more »

The Hegemonic Bar: Another round

The Hegemonic Bar: Another round
June 5, 2009 (All day) - July 10, 2009 (All day)
Basekamp, Philadelphia

First enacted in 1999, The Hegemonic Bar is a social experiment and drinking game about class and money. Read more »

What's Mine Is Yours

What's Mine Is Yours
October 17, 2008 (All day) - January 3, 2009 (All day)
Basekamp, Philadelphia

Basekamp
723 Chestnut Street
Philadelphia, PA 19106
215 592 7288

Friday, November 7 @ 6pm: opening reception
@ 7:30pm: performance by The Mercury Twins
@ 8:30pm: performance by Kabir Carter

Gallery Hours: Monday, Wednesday, and Saturday, 1-3pm and by appointment Read more »

Wider Circles - Copenhagen TV broadcast

Wider Circles - Copenhagen TV broadcast
October 17, 2006 (All day) - October 19, 2006 (All day)
Basekamp, Philadelphia & Channel 23 Copenhagen

Wider Circles – a programme series broadcasted at the artists run TV-station tv-tv.

17th – 19th of October 2006 (on Channel 23 / Kanal København)

Tuesday 17th: 23:00 – 01:00 CET
Wednesday 18th: 23:00 – 00:30 CET
Thursday 19th:23:00 – 01:00 CET

The programme series is thematically outlined by two interwoven subdivisions:

1. Collective and collaborative (art) production and (art/cultural) production as alternatives that may go beyond the disabling political quietism of ‘art market’ aesthetic. Read more »

East Art Map

East Art Map
June 3, 2006 (All day) - July 31, 2006 (All day)
Basekamp, Philadelphia

IRWIN presentation:

Date: 03-June-2006 (Saturday); 6.00 to 9.00 PM
Location: Basekamp space
Description: Presentation of East Art Map, by Miran Mohar of IRWIN - a group of five artists who make up the visual-arts component of the art collective NSK, based in Ljubljana, Slovenia.

EAM project desription

EAST ART MAP - (RE) CONSTRUCTION OF THE HISTORY OF ART IN EASTERN EUROPE

Every single move of the artist in Western civilization is documented.
But, did you know there is no similar thing in Eastern Europe?! Read more »

Walk Talk Eat TalkSomeMore

Walk Talk Eat TalkSomeMore
April 18, 2006 (All day) - August 5, 2006 (All day)
Basekamp, Philadelphia (and various locations)

Project description

Read more »

Post-Autonomy for Node.London

Post-Autonomy for Node.London
March 1, 2006 (All day)
Basekamp, Philadelphia & London

Image from meal / video conference between BASEKAMP and the Bureau for Research into Post Autonomy. For ‘Constructing a practice in the space of post autonomy” Node London, March 2006. Photo by Leran Schwartz.

For more details see:
http://nodel.org/ [Networked, Open, Distributed, Events. London]
http://postautonomy.co.uk/ [a website for promoting a discourse on the concept of Post Autonomy].

Participate?

Participate?
December 6, 2005 (All day) - December 8, 2005 (All day)
Basekamp, Philadelphia (and various locations)

Dates: December 6, 7 & 8th, 5-9 PM
Location: Basekamp space
Description: 3 evenings of events on 3 continents: China, the US, and Sweden

Date: Thursday Dec 8th, during the last event.
Location: Basekamp space
Description: Book release of “I Am A Curator”, ed. by Per Hüttner

What is Participate?

An interactive project by Per Hüttner (Paris) in collaboration with Ciceron group (Norrköping, Sweden) and basekamp (Philadelphia). Read more »

Organizational Art Summit

Organizational Art Summit
November 28, 2005 (All day)
Liseleje, Denmark

At ‘Organisational Art Summit’ 20 leading artists, practitioners and researchers meet to explore contemporary art projects where organisations and organisational issues are central themes in the art itself.

INVITATION TO ORGANISATIONAL ART SYMPOSIUM Read more »

Making Room For Redundancy

Making Room For Redundancy
November 19, 2005 (All day)
Andrew Kreps Gallery, New York

Event #1

Initiated by Basekamp & Lars Fischer
Saturday, November 19th, 2005.
starts at 2pm
at Andrew Kreps Gallery, NEW LOCATION:
558 W 21st St, New York, NY 10011

Participants were invited to respond to the question “how much room is there in the (art) world for redundancy?” as part of the first event in a series about cultural co-production.

“Have you noticed others producing work similar to yours? Are they imitating your style, or are you repeating others work without knowing it? Who did it first? Who did it best? Why is similarity so bothersome?” Read more »

Sandpiles of Opportunity

Sandpiles of Opportunity
June 1, 2005 (All day)
Versionfest, Chicago

We were interested in how loose and informal networks function in alternative art festivals - oddly mixing attempts to build solidarity and careers. More info about this theory of weak ties is described in the study: “Sandpiles of Opportunity: Success in the Art World”, by Katherine Giuffre.

Abstract: Read more »

DAMP + ACW: Together Again

DAMP + ACW: Together Again
December 4, 2004 (All day) - January 15, 2005 (All day)
Basekamp, Philadelphia

Opening Reception and Live Performance:
Saturday Night Dec 4th, 6:00 - 10:00 pm

free beer & music+ special pre-opening event “Air Guitar Competition”
Thursday Night Dec 2nd, 6:00 - 10:00 pm (info below)

BASEKAMP
723 Chestnut Street 2nd floor
Philadelphia, PA united states

Exhibition dates: Dec 4th 2004 – Jan 15 2005 Read more »

Translation

Translation
September 18, 2004 (All day) - October 31, 2004 (All day)
Basekamp, Philadelphia

Incident.net in Philadelphia and Paris

Opening Reception + Live Performance:
Saturday Night, Sept 18th, 6.00 - 9.00 pm

BASEKAMP
723 Chestnut Street 2nd floor
Philadelphia, PA united states
215-206-8176 www.basekamp.com
Hours of operation
Weds - Fridays, 6 - 10pm
Saturdays, noon - 4pm
Exhibition Dates: Sept 18th - Oct 31st, 2004 Read more »

Connect The Dots

Connect The Dots
September 7, 2004 (All day) - September 30, 2004 (All day)
Columbia University, New York

Project description

In this exhibition, the artist/re-presenters David Dempewolf and Scott Rigby will assemble an exhibition to examine the problematics and generative potentials within artist curated projects.

When one looks closely, what is revealed or concealed about the artist/curators’ location in geography, time, and subjective identity positioning, when they re-present the work of their peers? Read more »

STRIKE

STRIKE
July 9, 2004 (All day) - August 20, 2004 (All day)
Basekamp, Philadelphia

Opening Reception:
July 9, 6pm-10pm

STRIKE is a large-scale exhibition of artist’s responses to two questions:
1. How does/could/would the withdrawal of art affect the world?
2. Does the answer to the first question reveal ways that art can affect the world or strike a blow on the structures of the world?
Read more »

Prisoners' Inventions

Prisoners' Inventions
April 2, 2004 (All day) - May 7, 2004 (All day)
Basekamp, Philadelphia & MASS MoCA

Friday 2 April
Opening Reception
6.00-10.00pm
BASEKAMP

Saturday 3 April
Brunch Discussion with Artists’
starts at Noon
BASEKAMP

exhibition runs 2 April - 7 May 2004 Read more »

The American Funeral Home

The American Funeral Home
December 7, 2003 (All day) - January 17, 2004 (All day)
Basekamp, Philadelphia

The Institute for Advanced Architecture is pleased to present a glimpse into one of its latest projects, The American Funeral Home. With this project, the Institute has undertaken a survey of the nation’s memorial spaces, and in partnership with BASEKAMP of Philadelphia, is now making this presentation accessible to the public.
The exhibition presents a number of materials— documentary photographs, interpretive drawings, a textual guide and specially fabricated funerary accessories. Read more »

I Deal Opportunities

I Deal Opportunities
November 5, 2003 (All day) - December 14, 2003 (All day)
Chisenhale Gallery, London

I AM A CURATOR exhibition by
Per Hüttner

SUPPORT STRUCTURE - phase 1
Celine Condorelli & Gavin Wade

I DEAL OPPORTUNITIES
Scott Rigby

I AM A CURATOR is an ambitious new project that empowers the viewer, giving Chisenhale Gallery’s visitors the chance to be a curator for one day.
Over the course of the project, prospective curators can book a one-day slot at Chisenhale, and each individual is then given the opportunity to curate their own exhibition during the course of the day. Read more »

Wild West

Wild West
October 12, 2003 (All day) - December 12, 2003 (All day)
Basekamp, Philadelphia

Stefka Ammon + + + +Björn Hegardt + + + +Ethan D. Jackson + + + +Gudrun Rauwolf

WILD WEST is a traveling exhibition of work by four artists from Germany, Norway and the US, investigating the cross-cultural fascination with the Great American West. The exhibition revolves around a collaborative structure and media archive that helps to elaborate on and inform works created by the individual artists. WILD WEST runs through December 12 Read more »

Ten

Ten
March 6, 2003 (All day) - May 3, 2003 (All day)
Basekamp, Philadelphia

Cornford & Cross: Ten photographic portraits from ‘10’

Opening

Thursday 6 March

Artists’ talk
5.00pm
The Hunt Room
The University of the Arts
320 South Broad Street
Philadelphia

Opening Reception
6.30-9.00pm
BASEKAMP
Second Floor 723 Chestnut Street
Philadelphia PA 19106
USA
cel. 215 206 8176
fax. 215 592 7288

exhibition runs 7 March - 3 May 2003

BASEKAMP hours:
8.00pm-midnight Wednesday to Friday
noon-6.00pm Saturday
or by appointment

Exhibition supported by The British Council, The London Institute, Read more »

I Deal Art For The Market

I Deal Art For The Market
September 7, 2002 (All day) - October 12, 2002 (All day)
Cuchifritos, New York

Exhibition press release

For immediate release:

Curatorial Market at Cuchifritos
September 7 - October 12
Private view Saturday September 7, 4-6 pm

Cuchifritos is proud to present ‘Curatorial Market’ a curatorial project devised by Swedish artist/curator Per Hüttner. Read more »

(i feel like) something's gonna happen and i don't know what it is

(i feel like) something's gonna happen and i don't know what it is
May 11, 2002 (All day)
Basekamp, Philadelphia

Press release

(I feel like) Something’s gonna happen and I don’t know what it is
collaborative project by A Constructed World
paintings, digiprints, video, and events
(opening night performance, sleepover and breakfast in bed)
May 11 2002 Read more »

Dirty Deeds (re)Done Dirt Cheap

Dirty Deeds (re)Done Dirt Cheap
November 30, 2001 (All day) - February 2, 2002 (All day)
Morris Gallery, PAFA Museum, Philadelphia

David Dempewolf, Justin Matherly, Scott Rigby, and Leigh Stevens will create an installation in the Morris Gallery conceiving the Pensylvania Academy’s Museum as sideshow, themepark, and historical landmark. Their project, Dirty Deeds (re)Done Dirt Cheap, is a site specific commentary on the dual role museums play as both repositories of venerable art and as sites of Disney-inspired entertainment. Read more »

Let's get to work

Let's get to work
November 17, 2001 - 5:00pm - 11:30pm
Basekamp, Philadelphia

build a place to live - build a relationship -build a future: let’s get to work

SATURDAY, NOVEMBER 17 2001
5-7PM OPENING RECEPTION @ UARTS & BASEKAMP
5:30PM LECTURE IN CBS AUDITORIUM, UARTS, 333 SOUTH BROAD ST
8-MIDNIGHT AFTERPARTY AT BASEKAMP

The University of the Arts
Rosenwald-Wolf Gallery
333 South Broad Street
Philadelphia, PA 19102
215 717 6480

BASEKAMP
723 Chestnut St, 2nd Fl
Philadelphia, PA 19106
215 592 7288
CURATORS
Gavin Wade • Jonathan VanDyke ARTISTS Read more »

Through the Pedagogical Looking Glass

Through the Pedagogical Looking Glass
May 13, 2001 (All day) - July 22, 2001 (All day)
ICA, Philadelphia

Scott Rigby & David Dempewolf

Through the Pedagogical Looking Glass was commissioned as part of the sight/site exhibition held at the ICA in the spring of 2001. This exhibition addressed the ways in which a work of art’s meaning and reception is altered when placed within new and different contexts. Read more »

Building Paranoia

Building Paranoia
May 1, 2001 (All day) - June 15, 2001 (All day)
Project Room, Philadelphia

This exhibition is an example of a show within a show. The Base Kamp artists produced an installation that confronted meaningful and potentially volatile content through the technique of dead-pan dissimulation. Read more »

Love the Role

Love the Role
June 1, 2000 (All day)
The Galleries at Moore, Philadlephia

The Telling of Beautiful Untrue Thangs or
How I Learned to Stop Worrying and Love the Role

Leigh Stevens, Justin Matherly, David Dempewolf, & Scott Rigby
2000, ICA, Philadelphia PA
2000, The Galleries at Moore, Philadlephia PA
2001, The Butcher Shop, Chicago IL
2003, International Arts Group Exposition, Portland OR Read more »

Portfolio Day

Portfolio Day
October 1, 1999 (All day) - October 31, 1999 (All day)
The University of the Arts, Philadelphia

Base Kamp artists were invited to install an exhibition in the lobby of the Hamilton auditorium of the University of the Arts. The exhibition consisted of 192 6x8” framed textual images arranged in blocks. Each framed textual image contained the information for a single graduate school, and was arranged in alphabetical order. Read more »

Stunt double

Stunt double
June 10, 1999 (All day) - June 24, 1999 (All day)
Basekamp, Philadelphia

David Dempewolf, Scott Rigby, Philip Simmons, Megan Ganser
1999. Basekamp Gallery, Philadelphia

This show consisted of four full sized copies of Sol LeWitt’s “wall murals” from the artists exhibition of Black and Colors that was on exhibition concurrently at the ICA in Philadelphia. Accompanying these murals were life size dye sublimation prints of student laborers who were hired to help produce the original work.
Read more »

Hegemonic Bar

Hegemonic Bar
March 12, 1999 (All day) - March 31, 1999 (All day)
Basekamp, Philadelphia

Project description

Hegemonic Bar
members of basekamp & friends
1999, Base Kamp gallery

The exhibition was named after, and based on, neo-Gramscian hegemony theory. Using this as a departure point, the Base Kamp created the Hegemonic Bar, with the consumption of alcohol as representative of class struggle.

Played like a three-dimensional game of life, the Hegemonic Bar was an interactive installation along with instructions, rules, alcohol, & many people. Read more »

Failed Attempt At Shameless Self Promotion

Failed Attempt At Shameless Self Promotion
January 1, 1999 (All day)
Arcadia University Art Gallery, Philadelphia

The activity of this project involved the participation of both direct and indirect collaborators. Myself and several other Base Kamp artists agreed to perform an activity together, which would find it’s final form through the suggestion of one of our indirect collaborators. These latter unwitting participants were a number of older artists with established carers, who we approached unsolicited. Read more »